i win fights

Sólo para nosotros
Viven todas las cosas bajo el Sol

i will never understand why some
women think some women are
competition when the monster
we are trying to defeat is too
big for a single one of us
to handle

rupi kaur (via rupikaur)

it’s because the monster tricked us
it tricked us when we were kids

(via nosebleedseeds)

(via nosebleedseeds)

nogodsonequeen:

audy-teaze:

espikvlt:

Never related to Cersei so hard in my fuckin’ life.

truth.

IMA just reblog this yet again because it is awesome. 

awkwardsituationist:

to mark world theatre day, held on march 27, one hundred young syrians from jordan’s zaatari refugee camp acted in an adapted production of king lear. the play — which tells a story of exile, of a ruler losing touch with reality, and of a land divided by rival groups — was directed was nawar bulbul (third photo), a popular syrian actor who fled his country after appearing in anti government protests.

"i wanted to show that these children are not worthless …that they have something real to contribute." he said. “the show is meant to bring back laughter, joy and humanity” and "help [the children] express themselves." the kids — all under the age of fifteen — were actively involved in the costuming, for example.

many of the children cried when they heard the applause of onlookers at the play’s end. said one child, “i do not feel lonely any more in this place.” their parents described the project as a rare point of light in a bleak camp existence. after the show, they boasted of their children’s talent.

the production, months in the planning, was also meant to help counteract the effects of a war that has caused young syrians to miss vital years of education. about 60,000 of the refugees at the zaatari camp are younger than eighteen, and fewer than a quarter regularly attend school. many fear the war is creating a lost generation of children.

photos are by warrick page for the new york times and jared kohler for unhcr. for more on syria’s refugee crisis, see #withsyria, care international, oxfam syria crisis appeal, human care syria and free syrian voices

(it’s interesting to note that shakespeare actually mentions the city of aleppo in mabeth, which serves as a reminder that syria is one of our oldest centers of civilization.)

(via sashayed)

animalstalkinginallcaps:

SEVEN YOUNG LADIES STAND BEFORE ME … BUT I ONLY HAVE SIX PHOTOS IN MY HANDS.

AND THESE PHOTOS … REPRESENT THE GIRLS … WHO ARE STILL IN THE RUNNING TOWARD BECOMING … AMERICA’S NEXT TOP MODEL.

I’M KIDDING, OBVIOUSLY. NONE OF YOU ARE TALL ENOUGH FOR RUNWAY WORK, PLUS I DON’T HAVE HANDS. NOW GET OUT OF HERE AND GO PLAY IN THE YARD. I NEED TO TAKE A LITTLE NAP.

(via captainofthevarsityslutteam)

thetomska:

tiorickyaoi:

I’m sick of people wrongly defining bisexuality. It’s not ‘attraction to both men and women’ it’s about being attracted to ‘bi’ things like bicycles, binoculars, bilinguals and binary coding smh

So glad someone finally cleared this up.

(via icarusthebusinessman)

bettercallssaul:

the new season of game of thrones looks so good

(via icarusthebusinessman)

officialfrenchtoast:

”..the Son of Man came not to be served, but to serve..”

-Matthew 20:28

(via icarusthebusinessman)

kermenka:

Alternative posters of Nymphomaniac by Lars von Trier

(via captainofthevarsityslutteam)

Grief will always accept the invitation to appear. It’s got plenty of time for you. The interesting thing about grief, I think, is that it is its own size. It is not the size of you. It is its own size. And grief comes to you. You know what I mean? I’ve always liked that phrase ‘He was visited by grief’, because that’s really what it is. Grief is its own thing. It’s not like it’s in me and I’m going to deal with it. It’s a thing, and you have to be okay with its presence. If you try to ignore it, it will be like a wolf at your door.