(via misandrymoments)
i win fights
Sólo para nosotrosViven todas las cosas bajo el Sol
gq:
Ellie Kemper Asks: Can Men Be Funny?
“Reading a chapter from Warren Buffett’s Tap Dancing to Work the other day, I was surprised to find myself chuckling out loud. Now this guy is kind of funny, I thought to myself as I turned the page and grabbed another Danish. This guy is kind of making me laugh. And those thoughts that I had quietly, in my head, to myself, made me realize just how rarely I do have those thoughts in my head. And that thought led me to another thought, which was: why is that? Why, on the whole, are men just not that funny?”
“Guys, do you want to know a secret? You don’t have to be funny in order to attract us. Believe us, between your scalps and your calves, you’ve already got us. Your narrow, decrescendoing hips, and your soft, very hairy thighs leave us breathless. The truth is, there is no evolutionary cause for you to have to be funny. And precisely because your ancestors, and your ancestors’ grandparents, and your ancestors’ grandparents’ grandparents, and so on and so on, had no procreative need to cultivate a sense of humor and performance, you literally do not have it in your DNA.”
no one touch the comment section it’s so perfect
(via sashayed)
Kurt Braunohler raised $6,000 on Kickstarter to “hire a man in a plane to write stupid things in the sky.”Perfect.
New frontiers of skywriting right here.
DiCaprio and Mulligan, meanwhile, don’t seem like star-crossed lovers so much as a delusional man in love with a bauble of a woman. Maybe that’s intentional?
Who says North is up?
Upside Down maps (also known as South-Up or Reversed maps) offer a completely different perspective of the world we live in.
Technically speaking, even referring to the earth with words like “up” or “down” or comparing places with words “above” or “below” is flawed, considering that the earth is a spherical body (it’s actually slightly “fatter” at the equator) and flying through 3 dimensional space with no reference of up or down. However, the issue of “up” and “down” does become an issue when viewing the surface of the earth projected onto a flat piece of paper (a map). And the effect of the orientation of a map is more significant than you might realize.
As all maps require orientation for reference, the issue of how to layout the map orientation is as old as maps themselves. As map orientation is completely arbitrary, it is not surprising that they differed throughout time periods and regions.
The convention of North-up is usually attributed to the Egyptian astronomer Ptolemy (90-168 AD). Justifications for his north-up approach vary. In the middle ages, East was often placed at top. This is the origin of the term “The Orient” to refer to East Asia. During the age of exploration, European cartographers again followed the north-up convention…perhaps because the North Star was their fixed reference point for navigation, or because they wanted (subconsciously or otherwise) to ensure Europe’s claim at the top of the world.
In modern times, reversed maps are made as a learning device or to illustrate Northern Hemisphere bias. Different from simply turning a north-up map upside down, a reversed map has the text oriented to be read with south up.
The famous “Blue Marble” photograph of the Earth taken from on board Apollo 17 was originally oriented with the south pole at the top, with the island of Madagascar visible just left of center, and the continent of Africa at its right. However, the image was turned upside-down to fit the traditional view.
While the orientation of a map might seem harmless, it can have a significant effect on one’s perception of the world, and the relative importance of the different place in it.
In speech, we often refer to places being “above” or “below” others. Think of how you would say you’re about to travel to the state or country to your north or south (to go “down” to Kentucky from Indiana, or “up” to Canada from the US). Without even mentioning geography, ask any grade school student whether Mexico is “above” or “below” the United States. We’re all familiar with the “land down under”. As we often correlate importance to relative height (think how a citizens of a country will fly their flag higher than all other flags), the north-up convention reinforces the idea that northern bodies are more important than their southern neighbors. Suddenly, traveling “down” to the South might have an inference much deeper than geographic location.
After looking at the map more closely, you may realize that the South-Up orientation may change your perception of the relative status of different places. For example, South America suddenly looks to have more prominence, and Africa and the Middle East completely dwarf Europe. Likewise, tucking Northern Europe, Canada, and Russia away at the bottom of the map, subconsciously takes away their status.
To summarize, unconditionally accepting the north-up map convention without at least appreciating the effect stands at odds with viewing all people and places within the world equally. x x
(via ilovecharts)
Asked who her God is, Arya responds: DEATH. *electric guitar wails in the distance* Damn, Arya, that is so metal.
Dilston Grove by Ackroyd & Harvey
Dilston Grove (formerly known as Clare College Mission Church) located on the edge of Southwark Park in Bermondsey, London was transformed into a green chamber of living grass in collaboration with sound artist and composer Graeme Miller, Ackroyd & Harvey. This church was originally designed in early Italian style with an austere exterior which gave way to the dramatic difference created by the liveliness of the fabrics of growing grass. The clay, germinating grass seeds, water and natural light presented the sharp contrast between growth and decay, reverie and renewal. Through the interplay of light, sound and growth, this project brought resurrection to this old, inert and nonfunctional building, bringing back spiritual memories for local residence over a three week period.
(via saucy-mermaid)
Monster Soup commonly called Thames Water, date unknown
William Heath British, 1795 - 1840
Colour etching on wove paper
26.2 x 37.5 cm
Gift of the Trier-Fodor Foundation, 1980
© 2013 Art Gallery of Ontario“Monster Soup” is the confluence of approximately 95% of awesomeness in the known universe
